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Dragonball Evolution

Dragonball Evolution
oh boy






Plot of the movie below

takien from wiki


Two thousand years ago, the evil Namekian warlord Piccolo (James Marsters) descended upon the Earth during a solar eclipse and attempted to destroy the world with the aid of his disciple, Ōzaru. A group of monks conjured the Mafuba — a powerful but life-threatening enchantment designed to bind those caught within it — and used it to imprison Piccolo. Ōzaru disappears, and the Earth gradually recovers. In the present day, Piccolo escapes his confinement and as another solar eclipse approaches, he begins searching for the legendary Dragonballs in order to make a wish to the magical dragon Shen Long for the power to destroy the Earth.

On his 18th birthday, a young high-school student and martial artist named Son Goku (Justin Chatwin) is given the 4-Star Dragonball by his grandfather, Gohan (Randall Duk Kim). After returning home from a party hosted by his crush Chi-Chi (Jamie Chung), however, Goku finds his home obliterated and his grandfather near death in the aftermath of Piccolo's failed attempt to acquire the Dragonball. Before he dies, Gohan tells Goku to seek out the martial arts master, Muten Roshi (Chow Yun-Fat), who holds another of the Dragonballs. Along the way, Goku meets Bulma Briefs (Emmy Rossum) of the Capsule Corporation, which was studying the 5-Star Dragonball until it was stolen by Piccolo's servant Mai (Eriko Tamura). Goku offers Bulma his services in exchange for her help in finding Roshi and they ultimately find him in Paozu City. Under Roshi's wing, Goku begins training to harness his Ki, now knowing that they must acquire all the Dragonballs before the upcoming solar eclipse, when Ōzaru will return and join with Piccolo. In the midst of the group's search for the 6-star Dragonabll, they fall into a trap set by the desert bandit Yamcha (Joon Park) but Roshi convinces Yamcha to join them. Together, the group fight their way through an ambush by Mai and successfully obtain the next Dragonball. As the group continues their quest, they travel to a temple where Roshi consults his former teacher Sifu Norris (Ernie Hudson) and begins training to perform the Mafuba enchantment so he can reseal Piccolo, while Goku must learn the most powerful of Ki techniques: the Kamehameha.


During the night, Mai - disguised as Chi-Chi - steals the three Dragonballs that Goku and company have acquired, adding them to the other four that Piccolo has gathered. With the Dragonballs successfully united, Piccolo begins to summon Shen Long, but is stopped by the timely arrival of Goku's team. During the battle that ensues, Piccolo reveals to Goku that he is Ōzaru, having been sent to Earth as an infant to destroy it when he came of age. As the eclipse begins, Goku transforms into Ōzaru and terrorizes Bulma and Yamcha, while Roshi attempts to use the Mafuba, but is killed before he can re-seal Piccolo. Roshi's dying words restore Goku to his senses, and he engages Piccolo in a final battle, seemingly destroying him with the power of the Kamehameha. Goku then uses the Dragonballs to summon Shen Long, and request that he restore Roshi to life. As they celebrate, they realize the Dragonballs have now scattered, and Bulma declares that they must seek the balls again. Before they head out, Goku visits Chi-Chi so they can truly begin their relationship, but first, they engage in a sparring match to see which of them is stronger.

In a post credits scene, a woman whom Piccolo spared earlier in the film tends to his wounds as he awakens.


Wow what a movie action, adventure, romance, comedy all the ingredience to make a great Dragonball movie, but no we get Dragonball Evolution.

If you are a Dragonball fan please don't see this movie it will make you cry, no seriously they butcher this whole movie from begining to end.

Just look below at this casting.


Justin Chatwin ... Goku

Yun-Fat Chow ... Master Roshi

Emmy Rossum ... Bulma

Jamie Chung ... Chi Chi

James Marsters ... Lord Piccolo

Joon Park ... Yamcha

Eriko Tamura ... Mai

Randall Duk Kim ... Grandpa Gohan

Ernie Hudson ... Sifu Norris

Texas Battle ... Carey Fuller
Megumi Seki ... Seki

Ian Whyte ... Oozaru
Richard Blake ... Agundes

Jon Valera ... Moreno
Rafael Valdez ... Butler
Mike Wilson ... Hildenbrand

Freddy Bouciegues ... Palmer

Shavon Kirksey ... Emi
Julian Sedgwick ... Mr. Kingery

Luis Arrieta ... Weaver

Gabriela de la Garza ... Avatar
Rich E. Cordobes ... Referee

Ok Chow yun fat as master roshi ok would have been great but what the hell was that where was the turtle shell

 master roshi
the real master roshi


Then you cast Justin Chatwin as Goku really justin Chatwin seriously what the hell where these people thinking.



the only one who i like was James Marsters as Lord Piccolo

Lord Piccolo
Lord Piccolo


One last Character i want to talk about that wasn't in the movie is Krillin

Krillin
Krillin where are you?


here is a character that should have been in this movie for cripes sake he is Goku's best friend in the Dragonball cartoon series and he wasn't even in the film.

I shouldn't criticize the casting of this film to much they only had a 45 million dollar budget and with a Sequel already written Dragonball Evolution they probably split the money for two movies, let just hope somebody at 20th Century Fox watches one of the Dragonball cartoons and say lets just take one of these and make a movie about it.

To sum this movie up it pretty much like this, they take the cartoons take the character names and somewhat of the appearance and make a movie that has very little to do with the cartoons and BAM you got DragonBall Evolution.
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The Hunt for Gollum

The Hunt for Gollum
My Precious



The story follows the Heir of Isildur; the "greatest huntsman and traveller in Middle Earth" as he sets out to find the creature Gollum. The creature must be found to discover the truth about the Ring, and to protect the future Ringbearer.

An unofficial and free 39 minute Lord of the Rings fan film, made for less than $5,000 by Independent Online Cinema. Based on parts of The Lord of the Rings, it tells of when Aragorn tracked down Gollum between The Hobbit & The Fellowship of the Ring.


I am not going to give a review of this but i will say i really enjoy it. I want everyone who is a fan of LOTR to enjoy it for what it is a fan film made for less then 5 grand. Some people on some sites say the acting sucks well i am sorry this isn't a big budget hollywood movie and Viggo Mortensen isn't in it. I hope everyone who reads this blog gives this fan film a chance.

You can check out there website

The Hunt for Gollum


or watch below



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The Horsemen (2009)




Synopsis: At home, hardened police detective Aidan Breslin (Dennis Quaid) has grown increasingly distant from his two young sons Alex (Lou Taylor Pucci) and Sean (Liam James) since the death of his wife. At... At home, hardened police detective Aidan Breslin (Dennis Quaid) has grown increasingly distant from his two young sons Alex (Lou Taylor Pucci) and Sean (Liam James) since the death of his wife. At work, he finds himself thrust into an investigation of perverse serial killings rooted in the Biblical prophecy of the Four Horsemen of the Apocalypse: The White Horsemen, a master of deception and the unexpected leader hell-bent on conquest; The Red Horsemen, a sharp-witted warrior intent on turning man against man, with an innocence that hides a burning rage within; The Black Horsemen, a manipulative and dark tyrant, unbalanced but always one step ahead; and The Pale Horsemen, an executioner with disarming strength, determined to spread death through surgical precision.

As Breslin grapples with each new revelation in the case, he slowly discovers a shocking connection between himself and the four suspects. --© Lionsgate

Sound good right well not so much I am not going to say that I hated this movie I didn't, I did enjoy it for what it was a movie that should have been made by a cable TV channel.



SPOILERS

You should stop reading now if you don't want to know what happens next

Ziyi Zhang to me is a horrible casting for the role of Kristen as you learn in the movie she is not what she seems. You find out she is the red horsemen and that she killed her mother because her father molested her. The problem with her she tries to come off as a sexy killer, touching Det Breslin (Quaid) when they are in her cell trying to get a rise out of him. I have seen Ziyi Zhang in almost every movie she has made and she doesn't have the acting experience in my opinion to pull this roll off.

Lou Taylor Pucci who stars as Dennis quaid son in horsemen. This is what I was writing about earlier character development. They could have had a field day with this guy. During the process of this movie you find out he is the white horsemen. This is where my whole problems arises there is a scene in the movie where you figure it out that he is the white horsemen or at least I did but truthlfully I wasn't sure until near the end. The writers should have focus on him as the white horsemen not showing him but showing the back of him to keep you guessing through out the movie.

The other two horsemen you never really get a feel for what role they really had. As soon as you are introduce to them they die. One of them didn't even have a role in the film all you saw was his dead body on the ground I won't even tell you they excuse they use to kill him off it was that bad.

The other horsemen dope himself up with so much PCB then took his own life as he made his brother watch and that was the end of him. This movie really needed cut scenes to show how and why they all got together instead of loose explanations.


The problem was there was no character developments in this at all you are thrust in this movie at once and just as you start learning about a character Boom another murder. You can tell once you see it, it had great potential but falls short.

Horsemen wants to be like so many other great serial killer movies like Seven in that movie you get to know the characters you see the world through the eyes of morgan freeman and brad pitt, with horsemen you don't get that sense of pain through the killers they come off cold no emotion what so ever and with a movie like this where it about emotion you desperately need this.
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The Crossing Guard - A Parent's Nightmare

The Crossing Guard Poster

The Crossing Guard follows the story of a man named Freddy Gale (Jack Nicholson) who is finding it very hard to come to terms with the death of his daughter who was hit by a car six years earlier. John Booth (David Morse), the man who was responsible is now to be let out of prison, and after an initial failed attempt by Freddy to kill him, he threatens that he will be back in three days time to get his revenge.

The film is written and directed by Sean Penn who I think has created a film that is reflective and personal, which shows the symptoms of grief as being arbitrary; that a person should not be expected to behave in any particular way after the death of a loved one. The film doesn’t just show the pain from Mary, the mother (Angelica Houston) and father’s point of view, but also that of the offender who as the film shows is not a hardened criminal but a man who made a mistake, albeit the worst kind you can make caused by careless drink driving.

Freddy is introduced to us as someone who is not enjoying life despite the fact that he frequents strip-clubs and drinks heavily on a daily basis. His face is stern and unforgiving and slow motion shots, which are used quite liberally, create sensations of a man trapped within time, unable to move on and deal with his grief, who is instead forced to go through the motions one agonising second at a time. He wakes up in the morning to find yet another stripper in his bed but it is clear that any pleasure that was had was purely enjoyed by the lady.

Rough Night eh Freddy

Shortly after, a man is released from prison to be greeted by his parents (Piper Laurie and Richard Bradford). At first this feels like Penn is trying to antagonise the viewer because (if you are aware of the synopsis of the film) we can infer that this is the man that has killed the girl. To see a sensitive remorseful man, who is leaving prison to return to the comfort and loving environment of his parents’ throws you off guard when you are expecting some callous or wicked man of whom is unsympathetic to the harm he has caused. From this moment on it is clear that this isn’t going to be a clear black and white revenge film where the bad criminal is to be justifiably killed by a loving, grieving father. No far from it, in fact, it is often Booth who seems to feel the pain of the girl’s death more than Freddy and at times the viewer maybe be confused as to where their sympathies lay. Freddy chose a path of destruction as we will see, showing no consideration to his now ex-wife and their two existing children, not visiting his daughter’s grave for closure and instead living like an animal letting his own heart become weaker and colder. It is Booth who after leaving prison immediately gets a job, begins a genuine relationship with a woman named Jojo (Robin Wright Penn) and even goes to his victim's grave with flowers. This conflict is the driving force of events and it is Freddy who must come to the conclusion that what happened was an accident, and that his desire for revenge is a way of satiating his own pride more than anything else.

Angelica Houston as Mary

Another thing that is made apparent in this film is how men and women deal with their grief in polar opposite ways. Mary has chosen to move on and remarry but this is no slight against her ability to care about her deceased daughter. At the beginning of the film, parallels are created using cross-cutting to show Mary at a group counseling session for those who have lost loved ones, and Freddy at the strip-club with his buddies. Later we see Mary at her daughter’s graveside, sat peacefully as though she has slowly come to terms with what has happened but has put the effort in to do so. Like I said before, neither of the parents’ way of coping is illegitimate it’s just that, without generalising, it is just natural for men to dwell in the negative and tempestuous side of things, hitting the bottle and feeling sorry for themselves whilst women may be more fearful of letting that pain turn to hate. There is a point in the film where Freddy tells Mary that she’d be lying if she didn’t feel “pride and relief” in hearing that John Booth had been killed. Freddy thinks he is being honest about his vendetta and hatred and that Mary is just in denial or to afraid to admit it and on a surface level that might be the case, however the moving ending of the film teaches Freddy and the viewer that he was the one who was to afraid to face his true feelings, trying to convince himself that killing Booth was the only way he could move on.

The Crossing Guard is a satisfying film to watch because it is one that will leave you hypnotised even if just for a few moments during the rolling of the end credits, with Bruce Springsteen’s ‘Missing’ providing a complimentary haunting sensation as it blends in with the final scene of the film. The performances are good ones all around; Houston looks great and even though her and Nicholson’s on screen time together isn’t huge, they have a good chemistry, both communicating passionately whether in a volatile or sensitive manner. Nicholson is great as always, probably drawing from his own personal experiences in his ability to live on the edge as he does in this. He has also been given an opportunity in this film to expand on his usual repertoire of the slick, sharp, relaxed man of the world, as this is the first time I have seen him so despondent as to break down into tears. David Morse does well in playing with strength, intensity and solicitude, showing signs of Russell Crowe and Michael Madsen in his performance. I think that The Crossing Guard is definitely an achievement Sean Penn should feel proud of, similar in theme and tone to Mystic River, a film in which Penn was the one to play the grieving father and may have even influenced.
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Sweet and Lowdown: It's just Jazz baby

Sweet and Lowdown Poster


Sweet and Lowdown has a film style like that of other Woody Allen period pieces set in the 1930s such as Radio Days and Bullets over Broadway. All three films share the same gangster suits, intimate restaurant-clubs and nostalgic Jazz music in the score as well as showing Allen’s passion for Jazz music, for he is a dedicated player of the clarinet and a long time member of a New Orleans Jazz band. He originally wrote the film in the late sixties under the name of The Jazz Baby but the executives at the time wanted more of a comedy from Allen and so he put it on the back-burner and wrote Bananas instead. Thirty years later he rewrote that script and called it Sweet and Lowdown


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Scoop - derivative? Maybe, but in a good way

Scoop is a media satire about a dippy magician who teams up with an aspiring reporter, who has been tipped off by the spirit of a recently deceased reporter, to investigate, or maybe I should say snoop around, a wealthy, British aristocrat of whom is supposedly the Tarot Card Killer, a dastardly homicidal criminal. Sounds like there’s much wacky fun to be had, right? Well yeah, I’d say so, despite its biting reception…
…It seems a tough life for an artist. They spend its entirety creating brilliant things; pouring themselves into their work, only to be slaughtered by critics who don’t think their new material is funny enough, or ridicule them for continuing to write parts for themselves. Well for the record, Woody Allen is a wonderful actor and I’ll never equate him with Victor Frankenstein; condemning him for creating some monster persona that can’t be destroyed.

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