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Drood

Drood
Drood



Editorial Reviews
From Publishers Weekly
Starred Review. Bestseller Simmons (The Terror) brilliantly imagines a terrifying sequence of events as the inspiration for Dickens's last, uncompleted novel, The Mystery of Edwin Drood, in this unsettling and complex thriller. In the course of narrowly escaping death in an 1865 train wreck and trying to rescue fellow passengers, Dickens encounters a ghoulish figure named Drood, who had apparently been traveling in a coffin. Along with his real-life novelist friend Wilkie Collins, who narrates the tale, Dickens pursues the elusive Drood, an effort that leads the pair to a nightmarish world beneath London's streets. Collins begins to wonder whether the object of their quest, if indeed the man exists, is merely a cover for his colleague's own murderous inclinations. Despite the book's length, readers will race through the pages, drawn by the intricate plot and the proliferation of intriguing psychological puzzles, which will remind many of the work of Charles Palliser and Michael Cox. 4-city author tour. (Feb.)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
In this creepy intertextual tale of professional jealousy and possible madness, Wilkie Collins tells of his friendship and rivalry with Charles Dickens, and of the mysterious phantasm named Edwin Drood, who pursues them both. Drood, cadaverous and pale, first appears at the scene of a railway accident in which Dickens was one of the few survivors; later, Dickens and Collins descend into London�s sewer in search of his lair. Meanwhile, a retired police detective warns Collins that Drood is responsible for more than three hundred murders, and that he will destroy Dickens in his quest for immortality. Collins is peevish, vain, and cruel, and the most unreliable of narrators: an opium addict, prone to nightmarish visions. The narrative is overlong, with discarded subplots and red herrings, but Simmons, a master of otherworldly suspense, cleverly explores envy�s corrosive effects.

Copyright ©2008 Click here to subscribe to The New Yorker


Why you might ask yourself why i am writing a review about a book well i am not this is going to be about an upcoming movie by Guillermo del Toro.

Guillermo del Toro is Booked Through 2017
Source: Variety


Variety has published an article talking about director Guillermo del Toro's schedule, which is now booked through 2017. Here are several clips:

Universal — which has a three-year first-look deal with the helmer inked in June '07 — and del Toro are making a long-term commitment by setting up four directing projects, including remakes of "Frankenstein," "Dr. Jekyll and Mr. Hyde" and "Slaughterhouse-Five."

The fourth project is an adaptation of "Drood," a Dan Simmons novel acquired by U that will be published in February by Little, Brown.

Of course, del Toro's first priority is New Line and MGM's "The Hobbit," to which he has committed the next five years. He has begun writing "Hobbit" with Peter Jackson, Fran Walsh and Philippa Boyens, collaborating via video conferencing and trips to New Zealand every three weeks.

While it's difficult, if not impossible, to plan projects five years into the future, at this point U execs think "Drood" is the most likely to be del Toro's first post-"Hobbit" directing vehicle.

In addition to the four pics, the studio still has its sights set on del Toro's pet project, an adaptation of H.P. Lovecraft's "At the Mountains of Madness."

THis book is probaly one of the bniggest waste of time i have spent reading on a book but a movie, well it could really work.

Here is the deal this book has so many twist and turns and red herrings it just throws you around like a rag doll and leave you like what the hell just happen. If you ever read a Dan Simmons book it will be one of the longest books you will ever read. He just goes on forever and ever about details that you really don't need, but his action scenes and the build up to them are great for movies.

As reader you will know what will work in the movies and what won't espically in this book as iit goes up the crashing down and so on and so for 800 pages. This book has great potential for a movie drugs, sex, murder, heart stopping suspense, but as for a book i wouldn't recommend anyone reading this. It goes no where but it saving grace this will be a movie that will be worth seeing.
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Movie Release Dates Summer to Christmas

June 24
Transformers: Revenge of the Fallen
DreamWorks



June 26
Cheri
Miramax Films
limited

The Hurt Locker
Summit Entertainment

NY, LA
My Sister's Keeper
New Line Cinema


Surveillance
Arclight
limited



July 1
Ice Age 3: Dawn of the Dinosaurs
20th Century Fox
3D

Public Enemies
Universal Pictures



July 3
I Hate Valentine's Day
IFC Films
limited

Local Color
Monterey Media

NY

July 10
Blood: the Last Vampire
Samuel Goldwyn


Bruno
Universal Pictures


I Love You Beth Cooper
Fox Atomic


Soul Power
Sony Pictures
limited

Weather Girl
Secret Identity Productions
limited


July 15
Harry Potter and the Half-blood Prince
Warner Bros
wide & IMAX


July 17
(500) Days of Summer
Fox Searchlight



July 24
All Good Things
The Weinstein Co.


The Answer Man
Magnolia Pictures
limited

G-Force
Walt Disney Pictures
3D

Orphan
Warner Bros


Shrink
Roadside Attractions
limited

The Ugly Truth
Columbia



July 31
Aliens in the Attic
20th Century Fox


Funny People
Universal Pictures


Lorna's Silence
Sony Classics

NY, LA


August 7
Cold Souls
Samuel Goldwyn


G.I. Joe: Rise of Cobra
Paramount


Julie & Julia
Columbia


Paper Hearts
Overture Films

NY
Shorts
Warner Bros


When in Rome
Walt Disney Pictures



August 14
Bandslam
Summit Entertainment
limited

District 9
Screen Gems


The Goods: the Don Ready Story
Paramount Vantage


It Might Get Loud
Sony Pictures
limited

A Perfect Getaway
MGM


Ponyo
Walt Disney Pictures


The Post Grad Survival Guide
20th Century Fox


Taking Woodstock
Focus Features
limited

The Time Traveler's Wife
New Line Cinema



August 21
Inglourious Basterds
Universal Pictures


My One and Only

limited

World's Greatest Dad
Magnolia Pictures
limited


August 28
The Boat That Rocked
Universal Pictures


Final Destination: Death Trip 3D
New Line Cinema
3D



September 4
All About Steve
20th Century Fox


Carriers
Paramount Vantage


Extract
Miramax Films
limited

Gamer
Lionsgate


Pandorum
Overture Films


Shanghai
The Weinstein Co.



September 9
9
Focus Features
limited


September 11
Beyond a Reasonable Doubt
AfterDark Films
limited

Tyler Perry's I Can Do Bad All by Myself
Lionsgate


Whiteout
Warner Bros



September 18
Armored
Screen Gems


Brand New Day
Universal Pictures


Cloudy with a Chance of Meatballs
Columbia
3D

The Informant
Warner Bros
limited

Jennifer's Body
20th Century Fox


Splice
Senator
limited


September 25
The Boys Are Back
Miramax Films
limited

Fame
MGM


The Invention of Lying
Warner Bros


The Surrogates
Touchstone Pictures



September films (no specific date)
The Burning Plain
Magnolia Pictures



October 2
More Than a Game
Lionsgate


A Serious Man
Focus Features
limited

Shutter Island
Paramount


Sorority Row
Summit Entertainment


Toy Story
Walt Disney Pictures
re-release in 3D

Untitled Michael Moore Documentary
Paramount Vantage



October 9
Couples Retreat
Universal Pictures


An Education
Sony Classics
limited

The Informant
Warner Bros
wide

Whip It
Fox Searchlight


Zombieland
Columbia



October 16
New York, I Love You
Palm Pictures
limited

The Road
Dimension · The Weinstein Co.


The Stepfather
Screen Gems


Where the Wild Things Are
Warner Bros



October 23
Amelia
Fox Searchlight


Astro Boy
Summit Entertainment


Saw VI
Lionsgate



October 30
The Box
Warner Bros


Youth in Revolt
The Weinstein Co. · MGM
limited



November 6
A Christmas Carol
Walt Disney Pictures
3D

Precious: Based on the Novel "Push" by Sapphire
Lionsgate
limited

The Wolfman
Universal Pictures



November 13
2012
Sony Pictures


The Fantastic Mr. Fox
20th Century Fox



November 20
The Blind Side
Warner Bros


Broken Embraces
Sony Classics
limited

Everybody's Fine
Miramax Films
limited

Planet 51
TriStar Pictures
3D

The Twilight Saga: New Moon
Summit Entertainment



November 25
Nine
The Weinstein Co.


Ninja Assassin
Warner Bros


Old Dogs
Walt Disney Pictures


The Princess and the Frog
Walt Disney Pictures
Disney Digital 3-D
NY, LA

November 27
Brooklyn's Finest
Senator
limited



December 4
Brothers
Lionsgate



December 11
Did You Hear About the Morgans?
Columbia


The Lovely Bones
Paramount


The Princess and the Frog
Walt Disney Pictures
wide, Disney Digital 3-D


December 18
Avatar
20th Century Fox
3D


December 25
Alvin and the Chipmunks: the Squeakuel
20th Century Fox


Sherlock Holmes
Warner Bros


Untitled Nancy Meyers Romantic Comedy
Universal Pictures



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Updates

Sorry that i havent posted anything in a bit but been busy and just want everyone to know that i will be posting reviews on drum roll please

Star Trek

Angels and Demons

Friday the 13th

and what ever else i get to see between now and then

thanks everyone for the support.
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Dragonball Evolution

Dragonball Evolution
oh boy





Plot of the movie below

takien from wiki


Two thousand years ago, the evil Namekian warlord Piccolo (James Marsters) descended upon the Earth during a solar eclipse and attempted to destroy the world with the aid of his disciple, Ōzaru. A group of monks conjured the Mafuba — a powerful but life-threatening enchantment designed to bind those caught within it — and used it to imprison Piccolo. Ōzaru disappears, and the Earth gradually recovers. In the present day, Piccolo escapes his confinement and as another solar eclipse approaches, he begins searching for the legendary Dragonballs in order to make a wish to the magical dragon Shen Long for the power to destroy the Earth.

On his 18th birthday, a young high-school student and martial artist named Son Goku (Justin Chatwin) is given the 4-Star Dragonball by his grandfather, Gohan (Randall Duk Kim). After returning home from a party hosted by his crush Chi-Chi (Jamie Chung), however, Goku finds his home obliterated and his grandfather near death in the aftermath of Piccolo's failed attempt to acquire the Dragonball. Before he dies, Gohan tells Goku to seek out the martial arts master, Muten Roshi (Chow Yun-Fat), who holds another of the Dragonballs. Along the way, Goku meets Bulma Briefs (Emmy Rossum) of the Capsule Corporation, which was studying the 5-Star Dragonball until it was stolen by Piccolo's servant Mai (Eriko Tamura). Goku offers Bulma his services in exchange for her help in finding Roshi and they ultimately find him in Paozu City. Under Roshi's wing, Goku begins training to harness his Ki, now knowing that they must acquire all the Dragonballs before the upcoming solar eclipse, when Ōzaru will return and join with Piccolo. In the midst of the group's search for the 6-star Dragonabll, they fall into a trap set by the desert bandit Yamcha (Joon Park) but Roshi convinces Yamcha to join them. Together, the group fight their way through an ambush by Mai and successfully obtain the next Dragonball. As the group continues their quest, they travel to a temple where Roshi consults his former teacher Sifu Norris (Ernie Hudson) and begins training to perform the Mafuba enchantment so he can reseal Piccolo, while Goku must learn the most powerful of Ki techniques: the Kamehameha.

During the night, Mai - disguised as Chi-Chi - steals the three Dragonballs that Goku and company have acquired, adding them to the other four that Piccolo has gathered. With the Dragonballs successfully united, Piccolo begins to summon Shen Long, but is stopped by the timely arrival of Goku's team. During the battle that ensues, Piccolo reveals to Goku that he is Ōzaru, having been sent to Earth as an infant to destroy it when he came of age. As the eclipse begins, Goku transforms into Ōzaru and terrorizes Bulma and Yamcha, while Roshi attempts to use the Mafuba, but is killed before he can re-seal Piccolo. Roshi's dying words restore Goku to his senses, and he engages Piccolo in a final battle, seemingly destroying him with the power of the Kamehameha. Goku then uses the Dragonballs to summon Shen Long, and request that he restore Roshi to life. As they celebrate, they realize the Dragonballs have now scattered, and Bulma declares that they must seek the balls again. Before they head out, Goku visits Chi-Chi so they can truly begin their relationship, but first, they engage in a sparring match to see which of them is stronger.

In a post credits scene, a woman whom Piccolo spared earlier in the film tends to his wounds as he awakens.


Wow what a movie action, adventure, romance, comedy all the ingredience to make a great Dragonball movie, but no we get Dragonball Evolution.

If you are a Dragonball fan please don't see this movie it will make you cry, no seriously they butcher this whole movie from begining to end.

Just look below at this casting.


Justin Chatwin ... Goku

Yun-Fat Chow ... Master Roshi

Emmy Rossum ... Bulma

Jamie Chung ... Chi Chi

James Marsters ... Lord Piccolo

Joon Park ... Yamcha

Eriko Tamura ... Mai

Randall Duk Kim ... Grandpa Gohan

Ernie Hudson ... Sifu Norris

Texas Battle ... Carey Fuller
Megumi Seki ... Seki

Ian Whyte ... Oozaru
Richard Blake ... Agundes

Jon Valera ... Moreno
Rafael Valdez ... Butler
Mike Wilson ... Hildenbrand

Freddy Bouciegues ... Palmer

Shavon Kirksey ... Emi
Julian Sedgwick ... Mr. Kingery

Luis Arrieta ... Weaver

Gabriela de la Garza ... Avatar
Rich E. Cordobes ... Referee

Ok Chow yun fat as master roshi ok would have been great but what the hell was that where was the turtle shell

 master roshi
the real master roshi


Then you cast Justin Chatwin as Goku really justin Chatwin seriously what the hell where these people thinking.



the only one who i like was James Marsters as Lord Piccolo

Lord Piccolo
Lord Piccolo


One last Character i want to talk about that wasn't in the movie is Krillin

Krillin
Krillin where are you?


here is a character that should have been in this movie for cripes sake he is Goku's best friend in the Dragonball cartoon series and he wasn't even in the film.

I shouldn't criticize the casting of this film to much they only had a 45 million dollar budget and with a Sequel already written Dragonball Evolution they probably split the money for two movies, let just hope somebody at 20th Century Fox watches one of the Dragonball cartoons and say lets just take one of these and make a movie about it.

To sum this movie up it pretty much like this, they take the cartoons take the character names and somewhat of the appearance and make a movie that has very little to do with the cartoons and BAM you got DragonBall Evolution.
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Josee, The Tiger and The Fish

Josee, The Tiger and The Fish Poster

Josee, The Tiger and The Fish is not a spin-off of Crouching Tiger, Hidden Dragon but is the story of the relationship that develops between a handicapped paraplegic young woman named Josee (played by the ever-so cute Chizuru Ikewaki – Strawberry Shortcakes) and a university student named Tsuneo (Satoshi Tsumabuki – Dororo). Tsuneo is a run of the mill university student as he enjoys to drink, party and sleep around when he is not studying or working at his part time job at a mah-jong parlour. One day at work he hears some customers talking about the strange old lady who is seen pushing a pram around town, when supposedly her child died ten years prior. This leads to various speculations as to what is being concealed in the pram, and guesses range from a mummified version of her dead child to drugs. It is Tusneo who is the first to find out, as when asked to take out his bosses’ dog for a walk he steadies the pram of which the old woman loses grip of. He peaks inside only to have a young woman thrust at him with a knife. This is Josee and apparently she has the knife to defend herself against any curious onlookers who decide to “attack” her. This meeting is the first step in a very touching relationship as after being invited back to Josee and her grandmother’s run down house, Josee makes him some food which Tsuneo finds delicious, although Josee at this point is very curt and disdainful towards the student, possibly because of her isolated existence, kept company only by a withering grandma and the hundreds of books that she collects for Josee to read from their neighbours’ rubbish bins.
A withdrawn Josee

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Shikoku

On the island of Shikoku a mother wants to revive her deceased daughter, so she can inherit her place as the next high priestess. As a result, dark powers are being awakened that have been sealed for many years to keep the dead from inhabiting it.
Shikoku Poster

The story begins with three childhood friends who live on the island called Hinako, Fumiya and Sayori. One day Hinako spies through a crack in the door, something happening to Sayori. It is a Shinto ceremony of some sort, alluding to the opening scenes of a girl being what looks to be exorcised. Sayori makes Hinako promise not to tell anyone what she has seen, not even Fumiya, threatening to end their friendship if she does. This won’t matter much anyway as Hinako is soon to move away from the island, leaving her friends and the memory of this event in the past


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The Machine Girl: Tokyo Shock Shocks Again

The Machine Girl Poster 1

The Machine Girl is one helluva film and when pitted against other similar gory Tokyo Shock releases such as Versus or Ichi the Killer it definitely comes out the squelchiest. In fact I’m willing to bet pounds for pennies that they actually soaked the film stock in blood before shooting. Blood spurts, sprinkles, pours, explodes, sprays, sprays and sprays even more from gashed arteries and severances, the bodies of which are turned into super-soakers (yeah a decapitated body is actually used as a water pistol) The amount of blood isn’t really what makes this film special though, it is the ingenious murder methods, the outrageous use of weapons, the choreography and the feeling that this is what a j-drama would be like if it was made by insanely sadistic ninja-demons who when they’re not going on killing sprees, like writing scripts about going on killing sprees. Wait, there’s also the dynamic characters such as the lead school-girl she-devil Ami Hyuga (Minase Yashiro) who is hungry for the revenge of her dead brother; Miki (played by a 22 year old pornstar named Asami) a really tough but beautiful mom who wants revenge for her dead son; and a marriage made in Yakuza lunacy with the two main villains of the piece, Ryuji and Violet Kimura being so merciless but ridiculous that it’s hard to despise them for being so nasty because they are so compellingly unhinged for parents.
Miki and Ami are ready for battle

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Tokyo Decadence: Erotic Sex or Dangerous Fantasy

Tokyo Decadence


The subculture of BDSM is vast in its categorisation being that the acronym stands for bondage, discipline, domination, submission, sadism, masochism, master, slave all of which explode in Ryu Murakami’s dark, sometimes comic sometimes sweet but always vulgar film Tokyo Decadence. The outline of the film is that of a subservient 22 year old woman named Ai who works as a mistress, servicing all kinds of clientele from controlling mafia or corporate bosses to hedonistic rich but extremely nutty/flamboyant layabouts to pathetic salarymen who crave humiliation


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Memories of Matsuko - New York Asian Film Festival favourite

Memories of Matsuko Poster

Memories of Matsuko is a film by Tetsuya Nakashima about a woman named Matsuko Kawajiri (obviously…well I guess it could have been a man…anyway) and the key stages of her life from when she was a child to her death. The story is "told" from different perspectives including her brother Norio, an old friend/fellow convict/pornstar Megumi Sawamura (played by Asuka Kurosawa who you may have seen in A Snake of June) and Yoichi Ryu an old pupil of hers from her school-teaching days. The purpose of this journey into Matsuko’s past is to teach her nephew Shou Kawajiri (son of Norio) a thing or two about life and to help him not make the same mistakes as she did. You see, at present Shou is a nineteen/twenty year old waster whose full time occupation, besides trying to be a guitarist in a rock band, is drinking alcohol and watching porn.

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Gojira!!!!!!!!!!!!!!!!!!!!!!!!!!!

Gojira – 1954

Thundering beats of Gojira’s footsteps inaugurate Ishiro Honda’s film that most of us have heard much about but yet are still moved with feelings of uneasiness. Then comes the roar of a monster that has been trivialized by numerous incarnations, but nonetheless strikes fear in the hearts and minds of those who choose to see Gojira in his ultimate glory


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Sakuran: the popping of cherry blossoms

Sakuran is a Japanese Edo-period drama film released in 2006 starring model-J-Rock artist-actress and all around badass Anna Tsuchiya. The film is based on a manga series by Moyoco Anno and was adapted to the screen by photographer turned director Mika Ninagawa. Given that this is Ninagawa’s directorial debut it is remarkable that she has managed to visualise another period of time and assemble it with such clarity, accuracy and creativity as she has done. Apparently in interviews she has commented on the fact that she went through a vast amount of Ukiyoe (woodblock) prints to get to grips with the visual style of Yoshiwara (a famous district for prostitution) and based a lot of her modern, colourfully illustrated designs and patterns on the classical art of Edo.

Sakuran utilises lush and juicy colours to express the elegance of the Tamagikuya (brothel) establishment as well as the courtesans it houses, who dressed in outfits of fluorescent oranges, reds, yellows, purples and blues; with thickly painted faces, appear doll-like more than anything else. Murials of dragons and flowers; and stained glass windows of the same hues enshroud these women who are knelt, smoking their pipes and gossiping, awaiting the attention of some Samurai or Taros. There is one woman who seems to gain more attention than any of the others, standing out because of the nonchalant way she drags on her pipe, her inviting eyes and indifferent smirk as she whispers “come in, come in” to a prospective lay. This is Kiyoha, the first of several names she is given denoting her position on the hierarchical ladder, played by Anna Tsuchiya. Though prior to this she has only had two other starring roles in Kamikaze Girls and Bashment, she has never looked as gorgeous or had as much sex appeal as she does in Sakuran, making a move from the cool but cutesy Ichigo to the voluptuous and composed (well most of the time) Kiyoha


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Welcome to the Quiet Room: Where to go, what to do.

Immediately Suzuki Matsuo, director, screenplay writer and original novel writer of ‘Welcome to the Quiet Room’ of which this film is based, lets the viewers know that a film that is titled after a method of submission used in psychiatric wards is not going to be as melancholy as you’d expect. Enter room; man sitting in chair being interviewed by two female reporters from a television magazine studio. He begins by blowing up a balloon and then popping it in an attempt to make an artistic statement. He certainly is an unusual character not least for the fact that he has a safety pin pierced through his right ear where you’d be expecting to see an earring. What does he have to do with the events that are about to transpire? Absolutely nothing. After this initial scene the film swiftly establishes that one of these reporters is to be our anti-heroine as she splits off from her colleagues to go to her next interview; or at least that’s where we think she is going. In actuality none of this has happened.

Asuka Sakura (Yuki Uchida) has in fact been taken to a psych ward after having overdosed two days ago on the suicide cocktail of choice; alcohol and sedatives, and is only pulled out of this dream world after receiving a text message from her roommate/boyfriend. I say roommate/boyfriend because the relationship she has with Tetsuo Yakihata (Kankuro Kudo) is one that is never firmly established in its nature. This isn’t surprising given the carefree and irresponsible traits that they both possess. Anyway, after being pulled out of the meeting she thinks she’s in, and back to reality, Asuka finds herself being pushed along on an emergency hospital bed of which she is strapped to and breathing through an oxygen mask. Various close-ups and acute angles show the bewildered look on her face as she takes in the cold, white walls that surround her and the blinding light that is shining down from the ceiling


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Strawberry Shortcakes: Oishii desu yo

Strawberry Shortcakes is a film that revolves around four independent yet vulnerable women growing up in contemporary Tokyo. To give you some idea, I would describe describe it as The Joy Luck Club meets Lost in Translation. For women especially, Japanese society has become a fast paced environment to try and adapt to because of developments that have changed their place in society in the last sixty years or so. Women played a predominantly subservient role in Japan as it was pre World War II and the feudal system gave them very little say in the way in which they would be allowed to live their lives (though at least they are security). However since US Occupation and the influx of western values that have insidiously weaved their way into the hearts and minds of the newer generations, women have accomplished a lot more as autonomous beings, but have also been left to pick up the pieces of their shattered identities and try and fit together dusty old jagged pieces with new cutthroat ones. Many women fail at this and get left off the bullet train going 200mph into a future where old and new must gel together, resulting in a superwoman that can both have the dinner ready and juggle the stock-market.

Hitoshi Yazaki the director of Strawberry Shortcakes is trying to show us in a very quiet, slow-paced, easy-going way that the heroines of his film all have the same thing in common and that is loneliness. This factor is made so much more apparent by subtle aesthetic techniques such as the soft ticking of a clock in the background or the sound of the Shinkansen rushing by at frequent intervals which emphasize the passing of time and the holding pattern of life in the film. Shouldn’t it be odd that the film deals with themes of loneliness and alienation in one of the most buzzing cities in the world? Everything looks as though it is on top of each other with the Shinkansen running right through small neighbourhoods and not far over the heads of people. If anything you get an overwhelming feeling of cosiness running through these shanty town areas of Japan, where even at night things are lit up to give a feeling of life running through it. So why is it that everyone feels so detached and alone and on the constant search for a loving relationship


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Apartment 1303: Girls Just Wanna Have Fun

Apartment 1303 is a J-horror ghost story by Ataru Oikawa whereby each new female resident who comes to rent the apartment of the same title meets a smacking end, by jumping off its balcony 13 storeys up. It is thought to be nothing more than suicide by the police until the apartment takes its fifth victim; a sweet, happy, and popular girl named Sayako of whose sister Mariko is adamant that she would never have committed suicide. So the film follows Mariko as she investigates the apartment and does some research upon it and finds out that once upon a time, an abusive mother lived there with her daughter both of whom are now dead.

Poster. Scarier than the film

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